773 Soviet Union factory, Chengdu, China
Presently known as the Chengdu Eastern Music Park
I
went to the Chengdu Eastern Music Park to see a traditional art gallery, not a
festival of old men playing harmonicas and Michael Jackson poses frozen in
stone. I saw both, along with a solid row of nightclubs, and I had the pleasure
of getting a stuffed banana keychain and a shot of excitement when I realized
that the visit would also fulfill part of this assignment – and so I began to
actually pay attention.
The
oversized walkway between two large, industrial-looking buildings held the
décor - the wooden duck fountain displays and marble walled boutiques (and
clubs) literally do not even scratch the surface of the dormant factory. Behind
the quaint shops tower walls covered in graffiti, mainly Marxist propaganda,
declaring “UNITY IS STRENGTH.” Suspiciously large pipes and valves crawl up and
down the concrete, and a couple steps past them reveal … a refurnished garage.
The garage is the factory museum, where
Soviet history is preserved in a few poster boards and picture frames. The
resurrection artists of the area called their project “Reincarnation 2012” and
claim (on one of their poster boards) that the construction of the park over
the exhausted remains of the factory is like a “phoenix from the ashes.” As any
proud Chinese would have written, the people of this republic should be proud
to “find the glorious dream and gain strength from the history.” Then again, at
least in my experience, direct translations in China have never been entirely
accurate.
What actually happened is described in
Go China’s and Country Data’s websites. It is true that a dormant factory was
transformed into a musical night party scene, but the bigger picture is not in
the festive jazz bars. Under China’s First Five Year Plan in the 1950s, a
Soviet aid program invested in intensive projects to develop China’s economy.
Aid was provided to 156 major industrial projects, mostly directed to furthering
production of coal, steel, military equipment, and basic chemicals. Apparently,
the 773 Soviet Union factory was one of these projects.
The only things that strike me as worthy
of deeming “emotional connections” are the cleanliness of the park and the legitimate
art gallery. From my past three visits, I always remembered my motherland as a
foggy land with too many people, and hence sanitation and basic hygiene were
often lesser priorities than putting food on the table. When I spend the
majority of my time in China smelling pee, poo, or stinky tofu, walking into a
brand new park is both a pleasant surprise and huge relief. Even the
museum-garage is scrubbed clean of rust. Also, for the first time, I viewed
entire exhibits of art that had zero contemporary, abstract minimalism to which
American museums seem to have a strong attraction. Being exposed to so much art
that I always respected and followed made me giddy and appreciative to the
disciplines of this country.
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